Biography

I began my artistic journey as a self-taught creator during my adolescence. From the beginning, art has been more than a form of expression—it has been a space of encounter with myself. Over the years, I’ve come to understand it as a bridge between what lives inside me and the reality around me; a way of giving shape to inner experiences through material forms, allowing me not only to reflect on the world, but also to rethink and reshape it.

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My encounter with ceramics marked a profound turning point. Working with clay connected me not only to a physical material, but to an entire lineage of gestures, knowledge, and cultures. This connection sparked a deep interest in the anthropology of clay—leading me to explore ceramic practices not just as technical processes, but as carriers of memory, identity, and ways of relating to the world. sculpture became a medium through which I could investigate ancient knowledge systems, and a material that speaks of place, community, and continuity.​

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My practice is inspired by an expanded notion of art, close to Joseph Beuys’ concept of social sculpture: a way of working that goes beyond objects and gallery spaces, and instead touches how we inhabit the world, build community, and relate to matter. It is in this intersection—between art, ecology, and territory—that my work continues to unfold